Skip to main content

La La loved it?

I spend a lot of January and February each year running around to various cinemas, watching all of the films nominated for the best picture award at the BAFTAs and Oscars – it’s a fun challenge which takes me to locations all over London and to see films which I may not otherwise have watched.

La La Land was arguably this year’s runaway success even though it didn’t (or did briefly) win the Academy Award for Best Picture.  However, talking to lots of people about it, I have noticed that it wasn’t the triumph with audiences that the press would have us believe.  Broadly my friends fell into two camps:  my actor and big theatre going friends tended to love it.  Everyone else was a bit more “meh”.

I think the reason for its success at the awards is twofold.  Firstly, Hollywood loves a bit of navel gazing.    There were so many times during La La Land that I was wryly laughing to myself but no one else around me was.  I could really empathise with Emma Stone’s character – I’ve been in those castings!  My friends in the “meh” camp didn’t dislike the film, they just didn’t have the same gut reaction to it that I did or probably the people on the voting panels who decide the shortlists.  

Historically, Hollywood has favoured similar films – winners of Best Picture include That Broadway Melody 1929, All About Eve 1950 and even Argo 2012 where Hollywood saves the day.  Nominated films include Singin’ in the Rain 1952 and Sunset Boulevard 1950.  Also, let us not forget that the Academy loves a musical: previous Best Picture winners include West Side Story, The Sound of Music, My Fair Lady, Gigi, An American in Paris, Oliver!  Chicago and The Artist - double whammy – it’s about Hollywood and kind of a musical!


The other big reason I think that La La Land did so well is because it was a little light relief.  Let’s face it, 2016 was a bit of a fiasco.  La La Land was a touching, beautifully made, brightly coloured, all singing, all dancing film full of pretty people – a little bit of escapism.  And who doesn’t need that?


Comments

Popular posts from this blog

The value of being a tree

Two sets of figures for you: Total turnover in arts and culture in the UK in 2013 was £15.1 billion, with gross value added totally   £7.7billion [1] For every £1 of public funding paid to Arts Council England, the culture sector pays back £5 in tax contributions.   £1 paid in by the government, £5 return .  Pretty good. Why am I telling you this?  Well for a start, I think it’s quite interesting.  That’s a helluva lotta money!  It shows what a buoyant, successful and profitable industry the arts are.  The UK’s thriving tourism industry accounts for a huge 9% of the UK’s GDP [2] with 24% of visitors in London going to the theatre/ballet/opera [3] . And yet, as ever, the arts are under threat.  Funding from the government to a myriad of organisations is always in danger of being reduced or removed completely and drama and dance GCSEs are at risk being of side lined as they aren’t considered academic enough and th...

Things they don't teach in drama school...

Things they don't teach in drama school... Drama school is just like the film FAME: acting, singing and dancing every day, emotional, full of laughter, sweat and tears, maybe slightly less use of legwarmers but essentially, it’s exactly the same. However, when you leave the cosy cocoon and enter the big scary world of being “an actor”, there are a few things that you realise the Professional Studies class should have covered… Small children will heckle you A lot of drama graduates will do at least one TIE (Theatre in Education) or panto tour at some point in their career.  The pay and comfort of these tours varies wildly from (a) three people in a Nissan Micra with their entire set & costumes and a box of maps, to (b) being driven around by a stage manager in a cosy, fitted out van.  By and large, these jobs involve getting up VERY EARLY in the morning, driving to a school or care home, being offered a cup of tea, negotiating swing doors and stair cases whil...

Fearless

Why write a play?  To tell a story, to make a point, to educate, to entertain?  I go to the theatre a lot and sometimes I do wonder why the play I’ve just seen has been put on.  Did I learn anything?  Did I laugh?  I don’t always expect a riotous night out but I want to be engaged . Verbatim theatre has been around for a while.  For the uninitiated, “Verbatim theatre is a form of documentary theatre in which plays are constructed from the precise words spoken by people interviewed about a particular event or topic.” (Wikipedia)  For me, it’s like watching a film which opens with “based on true life events” – I am immediately interested. Deep Cut & The Riots at the Tricycle, London Road at the National, John by DV8 are just a few recent productions.  I saw JOHN and found it to be a fascinating insight into one man’s life – someone I would probably never meet, who had lived a life I knew very little about.  And h...